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First, let me thank everyone for touching base to make sure that all was well at the Chronicles. I’m happy to say that it is. That, for the past six months, I’ve been taking a small break. I’ve been “unplugged” from everything: book, blog, twitter, FB and, yes, even email.

And. although I may have been invisible, I haven’t been idle. I’ve been working on a screenplay. Here’s a quick peak at the fruits of my labors.

It’s finished by the way — all 95 pages. And if you think writing a book is difficult, it’s nothing compared to writing a screenplay.

The key to a screenplay according to the experts is show, don’t tell. It’s counter-intuitiveImage to everything I’ve ever done as a journalist / writer / author. And now, after having met with my brilliant editor Melva McLean (who is herself a screenwriter), I am working hard on a rewrite. I am exactly where I was four years ago when I started writing Any Color but Beige —at the base of Everest, looking up. Of course if you think of it this way it’s a daunting task. So for now I’m just concentrating on the footpath in front of me. I have one simple goal – to finish the rewrite one scene at a time.

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Between love and lost

If you’ve been following the Chronicles for the last three weeks you’ll know that I’ve been posting a free chapter a week for four weeks as part of an ongoing promotional campaign for my book  Any Color but Beige.

Over the last year, readership and subscriptions have increased dramatically. And I hope that by giving my new readers a preview of the book I can entice them to buy it, read it, and recommend it to their friends.

The book is closely linked to my career as an international color marketing expert, so I structured the book according to my life’s personal color spectrum. The four colorful sections that make up the book are Primary Colors, Color Blind, True Colors, and Exotic Colors.

Exotic Colors is this week’s section, from which I selected the chapter called Chapter 24 It deals with heartbreak and healing. And it was from this painful experience that my book Any Color but Beige came to be. My editor likes to say the best stories break your heart. And she’s right.

photo: © istockphoto.com/VladLo

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If you’ve been following the Chronicles for the last two weeks you’ll know that I’ve been posting a free chapter a week for four weeks as part of an ongoing promotional campaign for my book Any Color but Beige.

Over the last year, readership and subscriptions have increased dramatically. And I hope that by giving my new readers a preview of the book I can entice them to buy it, read it, and recommend it to their friends.

The book is closely linked to my career as an international color marketing expert, so I structured the book according to my life’s personal color spectrum. The four colorful sections that make up the book are Primary Colors, Color Blind, True Colors, and Exotic Colors.

“True Colors,” this week’s free chapter, is all about rediscovering myself and adding color back into my life in ways I could never have imagined. This chapter gave me the ideas for book’s subtitle – Living Life in Color.

Finally, in the last installment you will read all about the Exotic Color that was the genesis of this book.

And so – from the True Colors section, here, for your reading pleasure is Sixty Five First Dates

Next Week: Love Italian Style

photo: © istockphoto.com/MichaelDeLeon

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As I mentioned in last Tuesday’s post I am kicking off this year’s sales and marketing efforts by offering four free chapters (one a week) of Any Color but Beige to my blog readers. Over the last year, readership and subscriptions have increased dramatically. I hope that by giving my new readers a preview of the book I can entice them to buy it, read it, and recommend it to their friends.

The book is closely linked to my career as an international color marketing expert, so I structured the book according to my life’s personal color spectrum. The four colorful sections that make up the book are Primary Colors, Color Blind, True Colors, and Exotic Colors.

Last week, I offered a chapter from the Primary Colors section, and today it’s a chapter from Color Blind. Entitled “Bleeding Hearts,” it focuses on the wake-up call that made me take stock of my life, and then trade in all of the safe neutral tones that colored my existence for a more bold and daring personal palette.

“True Colors,” next week’s free chapter, is all about rediscovering myself and adding color back into my life in ways I could never have imagined. This chapter gave me the book’s subtitle – Living Life in Color.

Finally, in the last installment you will read all about the Exotic Color that was the genesis of this book.

And so – here is “Bleeding Hearts.”   Chapter 10

photo: © istockphoto.com/avdeev007

You know it’s over when you stop talking

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This month I am celebrating the one year anniversary of my book launch for Any Color but Beige. It’s been an amazing year filled with

The Little Red Suitcase

lots of new experiences, including television interviews, coverage in major dailies, book signings, book club readings, but best of all was all the heartwarming feedback from readers who found a little bit of themselves in my book.

It was also a very busy year because I managed all of the sales, marketing and public relations activities myself. Maintaining awareness for the book and increasing sales was an ongoing full-time job. Between the book and my day job, I’ve been “Up in the Air.” more often George Clooney.

So I am going to kick off this year’s sales and marketing efforts through the Café Girl Chronicles. Over the last year, readership and subscriptions have increased dramatically. I hope that by giving my new readers a preview of the book I can entice them to buy it, read it and recommend it to their friends.

The book is closely linked to my career as an international color marketing expert. As such, I wrote the book according to my life’s personal color spectrum. The book itself is divided into four colorful sections: Primary Colors, Color Blind, True Colors and Exotic Colors. And so, for the next four consecutive Tuesdays, I will publish one chapter from each section. I hope to pique your curiosity enough to want to read more.

Today, I’ll start with a chapter from Primary Colors, a section that focuses on my colorful childhood growing up in an Italian/Irish family. This chapter reveals the secret of the little red suitcase depicted on the book’s cover.

The following Tuesday, Color Blind will feature a chapter on how easily we can lose sight of all of the color in our lives by playing it safe.

The True Colors chapter in week three is all about rediscovering myself and adding color back into my life in ways I could never have imagined. This gave me the book’s subtitle – Living Life in Color.

Finally, in the last installment you will read all about the Exotic Color that was the genesis of this book.

And so, let’s begin at the beginning: Chapter 1 – The Little Red Suitcase

Chapter 1

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I have always prided myself on the fact that, when in a relationship of any kind, I have never sacrificed a friend for a man. I have never cancelled a night out with the girls in favor of a last-minute date. I have never responded to text messages during dinner and interrupted the smooth flow of a conversation. Nor have I ever disappeared for weeks or months at a time to lavish all my time and attention on a man – I am not that kind of girl.

That kind of girl…

Or so I thought…

For several months now, instead of writing this blog, I spent those precious hours in a daily and dedicated correspondence to a long-distance (and distant) lover. A lover who, I might add, also has some literary aspirations. Aspiration is a good word, because I could literally feel his aspirations sucking the creativity and life out of my own writing and observations. As I channeled my time and creative energy over to him I had less to spend on myself. In addition, as his “editor,” I spent a great deal of time propping up his ego. This is essential in a vocation that is riddled with insecurity and angst. Just ask my editor.

So, in a sense, I abandoned both my readers and my muse for him. And having done so, I was afraid I had lost both. I was afraid that my readers, tired of waiting around for a new post, had gone off to read other writers’ blogs and that my muse had gone to whisper words into other writers’ ears.

But after a week of steadily blogging and receiving a warm “welcome back,” I have learned that this is not so. And, as I sit in my hotel room in Paris, I am reading all of your wonderful comments and feeling my muse pacing the floor, pausing every few minutes in search of a perfect word to place on the page.

After such a long absence I was also afraid I had lost my rhythm, my words, and that panicky pleasure I get when I write regularly. The same doubts plague the actor, musician, or athlete who, after a long absence, returns to the public stage and asks herself, Can I do it again? Will I be as good? What if I choke?

Writing is, like most things, a profession you have to practice – a lot – if you want to be good at it. The less I practiced, the farther away I got from writing this blog and the closer I came to shutting it down.

That was, until I had a conversation with my editor, Melva McLean, who reminded me that I was still writing every day, just a different kind of writing but writing none the less. It was to an audience of one – my lover. At the same time I was writing to him I was able to see  the tentative first steps it takes for someone else to tell a story.

I could see myself in him and how I too started with the easy stuff. It was the expository, the superficial, the description and the reportage of daily life. Not bad if you wanted to be a working journalist but dull as dirt if you want to tell a story.

I remember when I started writing Any Color but Beige how I rested on the surface of my experience and feelings. I was afraid to go any deeper to plumb the emotional depths that gave my story its joy and sadness – its life. The thought of sharing that part of me with strangers caused my heart to race. I suppose that’s why it took two years.

Over dinner one night Melva said something about great writing that haunts me. She said, “The best stories break your heart.” And she’s right.

My book was born out of heartbreak. The story broke my heart, and writing it as truthfully as possible, with all of the messy wonderful emotions that went with it, helped to heal that heart.

I tried to explain this concept to my lover. I gave him some examples of great writers who bared their souls and risked opening themselves up to ridicule and judgment in the name of great writing, who paid a price but created great works in the process. But he prefers to go through life skimming the surface.

He certainly skimmed the surface of my life. Our relationship had all of the depth of a puddle. The up side to this is that although he may have nicked my heart he certainly didn’t break it. So I must be getting better at this relationship thing. On the other hand ours was not the kind that breaks your heart. It was more like reportage. And I will leave him to write that, since he’s so good at it.

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As you read in the previous post, sometimes I  want to shake off those good girl shackles and be “bad,” if only for a little while. And the perfect opportunity seems to present itself once a year in the form a handsome Brazilian pilot who shows up at my door during  the Montreal Formula One Grand Prix.

It’s the 21st century version of the play/movie Same Time Next Year but without the same emotional intimacy experienced by the principal characters, George and Doris, who meet every year for 24 years, sharing the ups and downs of their lives in a brief but intense weekend. Over time, you see how they grow individually and as a “couple.”

For the past seven years the pilot and I have passed through a smattering of weekends of mostly style and no substance and very little sharing. We as a couple seem to be stuck in a moment – the moment we first met.

Shallow you think? Absolutely. On the other hand there is no danger of drowning in something more profound, in a sea of those roiling emotions that framed our first summer together as friends and lovers. Now it’s safer for us to tread water in the shallow end of the sea of love. It’s less scary for him (he can’t swim) and less frustrating for me (forever throwing a lifeline to a drowning man).

But it’s the capacity to accept our relationship limitations that keeps us friends. We have an unspoken agreement that lets us honor the past without burdening the future with expectations. That agreement keeps us in contact throughout the year and enables us to share travel schedules in the hopes that someday our paths would cross on a bit more regular basis. But they never do. When I’m in Paris he’s in Palm Springs, when I’m in Beijing he’s in Barcelona – even with all that international travel our paths only cross here, in Montreal.

I don’t think it coincidental at all that Michael Buble’s song “Home” hit the top of the charts the year the pilot and I met. It defined us then and it defines us now.  It’s the stay/go paradox we both share.  And I know that when he turns up at my door with a box of dark chocolate covered strawberries and good Grand Cru like he did last weekend he finally feels at home and so do I…if only for a little while.

photo: © istockphoto.com/Yuri_Acurs

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